Bennington Museum is pleased to announce the opening of the Early Vermont Gallery. A permanent installation with rotating textiles, this gallery presents life in Vermont from the time when the earliest European settlers arrived in 1761 with only the bare necessities to the early 1800s when Vermont craftsmen achieved a level of sophistication rivaling Boston and New York. (1760s to early-1800s) Explored through stories and vignettes, this gallery showcases over 85 major pieces and smaller items from the Museum’s extensive historical collection of over 30,000 objects.
Photographs by Laura Gilpin and Her Circle: Gertrude Käsebier, Clarence H. White, and Clara Sipprell
When Laura Gilpin passed away in 1979 most of her negatives, photographs, and letters went to the permanent archive at the Amon Carter Museum in Fort Worth, Texas. Three portfolios of photographs however were kept by her family. The Bennington Museum is fortunate to have this opportunity to share with the public a selection from these portfolios which include photographs by Gilpin herself as well as photographs given to Gilpin over her long career by friends and mentors, including Clarence H. White and Gertrude Käsebier. This exhibition of remarkable photographs will be on view in the Works on Paper Gallery of Bennington Museum from October 7 to December 30. From 2:30 to 4:30 p.m. on October 7, join curator Jamie Franklin and Bennington College faculty member Jonathan Kline for an opening reception of this exhibition. This event is free and open to the public.
In celebration of Grandma Moses: American Modern and the 1863 Stickle Quilt both on view at the Bennington Museum, the volunteers at the George Aiken Wildflower Trail are hosting a Grandma Moses Picnic and Quilting Bee for children and their families on Saturday, September 30, from 11 a.m. until 2 p.m. (Rain Date is October 1) As part of the festivities, the group is also hosting the “Best Apple Pie in Bennington” contest, with the pies first being judged and then served as part of the picnic, along with free cider and apples provided by the trail volunteers.
It began last summer. Telephone calls and emails from Australia, England, California, Texas; the calls kept coming. “When will the quilt be on display next year?” Quilters from around the country and world were planning trips to the region to be here when the 1863 Sampler Quilt created by Jane A. Stickle was on view. From September 2 through October 9 the quilt that inspires quilters from all over the world will be on its yearly display at the Bennington Museum. Brought to the museum 60 years ago, the Jane Stickle Quilt is only shown for a short time each year due to the fragility of the fabric. RELATED EVENTS: September 30, 11 am to 2 pm - Join us for a day of family fun in the spirit of Grandma Moses and Jane Stickle. Quilting activities for all ages and more.
Grandma Moses: American Modern has a subversive goal, for it will upset your expectations and get you to look at this beloved American artist with fresh eyes. It is a long-overdue exhibition that will reestablish her place in the mid-century art world that was embracing modern art at the same time. By putting her paintings side-by-side with works by such iconic Modernists as Joseph Cornell, Helen Frankenthaler, Fernand Léger, and Andy Warhol, and folk artists such as Edward Hicks and Joseph Pickett, the exhibition allows visitors to discover for themselves how all these artists drew on found images, color, collage, memory, and their own innate artistic sensibility to create original masterpieces. Like any trained artist, Moses used thought, planning, and intuition to create works of enormous vitality and imagination.
Kalischer often came to Vermont seeking material and in this exhibition - Between Past and Future: Clemens Kalischer’s Vermont – the viewer is treated to over thirty images including some taken during six decades of photographing the Marlboro Music Festival including images of such icons in the music industry as Van Cliburn, Rudolf Serkin, Pablo Casals, among others. Some are from his Peacham series in which people are documented in their daily struggles on the land or in the factory. His Vermont work is deep and varied, comprising thousands of images traversing more than six decades.
Bennington Museum is pleased present Songs of Peace from Vermont and around the World performed by Counterpoint Vocal Ensemble. This a cappella concert includes over twenty songs including favorites by Pete Seeger. Inspired by the 125th anniversary of the Bennington Battle Monument and the 100th anniversary of WWI, this concert includes songs of peace written during times of war. The twelve singers in Counterpoint perform under the direction of Nathaniel G. Lew.
Pat Adams has been creating rich, lovingly wrought abstract paintings for more than six decades. On view at the Bennington Museum from April 1 to June 18, 2017, Gatherum of Quiddities: Paintings by Pat Adams presents a selection of twenty-nine works surveying her entire career. Championed for decades by notable critics, collectors, and her New York art dealer Virginia Zabriskie, Adams pursues her persistent vision and evolving creative process.
On Saturday, April 8 from 10 am to 5 pm admission to the Bennington Museum is free for all visitors. Join us for a day of Celebrating ART as you enjoy Gatherum of Quiddities: Paintings by Pat Adams; Holding the Line: Ceramic Sculpture by Stanley Rosen; Buy Local: Images from the Weichert-Isselhardt Collection, plus activities both inside the Museum and out on the George Aiken Wildflower Trail. So much to do for the whole family.
In the late 1950s, through the 1960s, Stanley Rosen rose to prominence, alongside the likes of Peter Voulkos, John Mason and Ken Price, as one of the most dynamic artists working in the media of ceramics, which was experiencing nothing short of a revolution. During the last 40-plus years he has focused on his role as teacher (Bennington College 1960-1991) and maker of a unique, evocative body of abstract ceramic sculptures, rarely exhibiting or publishing his work. As a result, his important body of abstract ceramic sculptures have been seen by few.