Grandma Moses: American Modern has a subversive goal, for it will upset your expectations and get you to look at this beloved American artist with fresh eyes. It is a long-overdue exhibition that will reestablish her place in the mid-century art world that was embracing modern art at the same time. By putting her paintings side-by-side with works by such iconic Modernists as Joseph Cornell, Helen Frankenthaler, Fernand Léger, and Andy Warhol, and folk artists such as Edward Hicks and Joseph Pickett, the exhibition allows visitors to discover for themselves how all these artists drew on found images, color, collage, memory, and their own innate artistic sensibility to create original masterpieces. Like any trained artist, Moses used thought, planning, and intuition to create works of enormous vitality and imagination.
Kalischer often came to Vermont seeking material and in this exhibition - Between Past and Future: Clemens Kalischer’s Vermont – the viewer is treated to over thirty images including some taken during six decades of photographing the Marlboro Music Festival including images of such icons in the music industry as Van Cliburn, Rudolf Serkin, Pablo Casals, among others. Some are from his Peacham series in which people are documented in their daily struggles on the land or in the factory. His Vermont work is deep and varied, comprising thousands of images traversing more than six decades.
Bennington Museum is pleased present Songs of Peace from Vermont and around the World performed by Counterpoint Vocal Ensemble. This a cappella concert includes over twenty songs including favorites by Pete Seeger. Inspired by the 125th anniversary of the Bennington Battle Monument and the 100th anniversary of WWI, this concert includes songs of peace written during times of war. The twelve singers in Counterpoint perform under the direction of Nathaniel G. Lew.
Pat Adams has been creating rich, lovingly wrought abstract paintings for more than six decades. On view at the Bennington Museum from April 1 to June 18, 2017, Gatherum of Quiddities: Paintings by Pat Adams presents a selection of twenty-nine works surveying her entire career. Championed for decades by notable critics, collectors, and her New York art dealer Virginia Zabriskie, Adams pursues her persistent vision and evolving creative process.
On Saturday, April 8 from 10 am to 5 pm admission to the Bennington Museum is free for all visitors. Join us for a day of Celebrating ART as you enjoy Gatherum of Quiddities: Paintings by Pat Adams; Holding the Line: Ceramic Sculpture by Stanley Rosen; Buy Local: Images from the Weichert-Isselhardt Collection, plus activities both inside the Museum and out on the George Aiken Wildflower Trail. So much to do for the whole family.
In the late 1950s, through the 1960s, Stanley Rosen rose to prominence, alongside the likes of Peter Voulkos, John Mason and Ken Price, as one of the most dynamic artists working in the media of ceramics, which was experiencing nothing short of a revolution. During the last 40-plus years he has focused on his role as teacher (Bennington College 1960-1991) and maker of a unique, evocative body of abstract ceramic sculptures, rarely exhibiting or publishing his work. As a result, his important body of abstract ceramic sculptures have been seen by few.
Bennington Museum is pleased to begin the 2017 Music at the Museum concert series with “From Beethoven to Bennington (and back again!)”, a performance by cellist Maxine Neuman and friends. Included in the musical offering is Josef Bodin de Boismortier’s, Duo in d, Op. 14, No. 3; Ludwig van Beethoven’s Sonatina (Op. post.); Allen Shawn’s Serenade (1990); Lionel Nowak’s, Suite for Two Cellos (1980); and Beethoven’s Sonata in C Major, Op. 102, No. 1. Sponsored by Alison Nowak and Robert Cane, all concerts are free and open to the public.
The Bennington Museum invites everyone to Community Day on February 4 when admission is FREE. Explore the permanent galleries including Gilded Age Vermont, Bennington Modernism, Battle of Bennington along with our Cabinet of Curiosities, the original Museum dating to 1855. Opening the year in the one of the Museum’s main floor galleries is Holding the Line: Ceramic Sculpture by Stanley Rosen, featuring works by one of the most dynamic artists working in the medium of ceramics from the late 1950s to today. Buy Local: Photographs from the Weichert-Isselhardt Collection of glass plate negatives opens the 2017 Regional Artist gallery. On view for the year, a selection from the thousands of recently catalogued images with the first installation focusing on shops, commerce, and to some extent manufacturing. On view through March 19 is the Annual Student Art Show bringing artwork of the region’s elementary, middle and high school students to the Museum in a display ranging from whimsical projects by the young students to more advanced work of older students. RELATED EVENTS: March 11, 3:30 to 5:00 p.m. Artist Reception with Stanley Rosen for Holding the Line: Ceramic Sculpture by Stanley Rosen. Free and open to the public.
On Saturday, September 24 at 6:00 p.m. join Duane Michals in the Works on Paper Gallery of the Bennington Museum for an artist’s reception which is followed at 7:00 p.m. with "Photography and Reality," a discussion with this engaging artist and speaker. Talk with him about the work he began in the 1950s and continued right through today, and enjoy one of his most recent short films followed by a Q&A. Engaging and delightful, you will want to visit with Michals who is one of the great photographic innovators of the last century.
From September 3 through October 10 the quilt that inspires quilters all over the world will be on its yearly display at the Bennington Museum. Brought to the museum 60 years ago, the Jane Stickle Quilt is only shown for a short time each year due to the fragility of the fabric; Quilters from around the country and world plan trips during that time to see the 1863 quilt. RELATED EVENTS: September 24, 3 p.m. – Lynne Bassett: “Herstory” in Civil War Quilts