Press Releases

The fall, 2019 installment of the Bennington Museum’s Walloomsack Review marks its 25th issue. The first printing, published in October, 2008, featured on the cover a picture of Mary Sanford. Inside was a story by Anthony Marro of Mary Sanford’s Two Worlds. This copy also addressed Why Walloomsack? written by Bill Budde who was the editor at the time.

On Sunday, November 3 at 3:00 pm, Bennington Museum presents Bread and Puppet Theater’s Diagonal Life: Theory and Praxis, a show that examines the current precariously diagonal condition –on the verge of collapse, yet always capable of uprising. Held in the Ada Paresky Education Center, this free event is made possible by the generous support of Alison Nowak and Robert Cane through the Music at the Museum series. Due to limited seating, reservations are required. Go to breadandpuppet-bennmuse.eventbrite.com to reserve and print your ticket or call 802-447-1571 ext. 203.

This fall on view in the Regional Artists Gallery of the Bennington Museum is the meticulous work of print maker Asa Cheffetz (1896-1965). His wood engravings served as printing plates and from those came beautiful prints. During the 1930s and 40s, Cheffetz produced most of his highly detailed wood engravings. Inspired by the Vermont countryside, his landscapes portray his strong affection for the land and his simple yet detailed blends of the hills, sky and water. On view through December 30.

On Saturday, September 28 from 10 am to 5 pm admission to the Bennington Museum is FREE for all visitors and the lineup for engagement is outstanding. The day’s events focus on issues of Civil Rights and Diversity in Vermont in connection with Fields of Change: 1960s Vermont, Visible in Vermont: Our Stories, Our Voices, and Bennington Museum’s participation in the 2019 Vermont Reads Program.